For every Host, there must be a Parasite. Since his debut Barking Dogs Never Bite 19 years ago, Bong Joon-ho's works have always resisted easy classification. Within stories that stray from one genre to the next, surprising things tend to happen, sometimes horrific, occasionally even fantastic. Disparate elements abound, but a rigid degree of control and an ever-present sense of humor have given us something approaching a stylistic aesthetic we have come to expect from him. Similarly, the thematic array of his work, not only from film to film, but even from scene to scene, moment to moment, is equally vast and unpredictable. Yet here too we find a common thread, never more richly explored than in his latest work, Parasite. Social inequality forms the pulsating...
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